These paintings represent the isolation and struggles experienced by the citizens of the Mulatto Nation.  They deal with such issues as identity, rejection, prejudice, and spirituality in relationship to one's pigmentation.  Revealed here is the brown-paper-bag-test used in historic Mulatto society to determine "acceptable" skin color.  Note also of the image of the albino employed as a metaphor for the "passing" light skinned Mulatto."

 

"Isabelle Eberhardt traveled through Northern Africa as an Arab boy" "Geneva Saar Agustsson " "Sibongile Chitoyos  Albino from Zimbabwe"

"Isabelle Eberhardt traveled through Northern Africa as an Arab boy"

80"x48"x3"

"Geneva Saar Agustsson - 

Labeled Autistic" (detail)

80"x48"x4"

"Sibongile Chitoyos - 

Albino from Zimbabwe"

80"x48"x3"

"Ascension of a Lillyskin"

"Between a Mulatto and a Quadroon" "Anastacia- Escrava e Martir Negra"

      "Ascension of a Lily-skin"

(detail)

 86"x40"x5"

 "Between a Mulatto and a Quadroon" (detail)

 48"x48"3"

"Anastacia- Escrava e Martir Mulatta"

80"x48"x9"

.

"Tale of the Tragic Mulatto"

80"x48"x3"

"Alexandre Dumas"

20"x 15"x1"

"Harriet Hemings, Slave Daughter of Thomas Jefferson"

80"x48"x3"

 


the STORY CONTINUES

       
 

 

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